Yes, we know, following the reigning monarch isn’t necessarily the best way to break up time periods, but it sort of works and… well what you gonna do. As per other pages, the order of staging is rough and plays live on longer and longer as printing extends their lives… The list now gets super selective. We’re mostly going to list things we think we’ll be touching on in the next few years. There’s increasingly too much to mention.
The Life and Repentance of Mary Magdalene by Lewis Wager – nothing doing at this time.
Patient Grissell by John Phillip – nothing doing at this time.
The Longer Thou Livest the More Fool Thou Art? by W. Wager – nothing doing at this time.
The Disobedient Child, by Thomas Ingleland – Exploring session available. This is one of the places this play can live – it might have come into being earlier, and then got adjusted for printing here.
Enough is as Good as a Feast by W. Wager
The Pedler’s Prophecy by Anonymous – on our radar, might do something sometime in the next few years.
Robin Hood and the Friar by Anonymous – full cast audio adaptation has been produced and we’ve run workshops on the play. So, more might be on the way.
Robin Hood and the Potter (fragment) by Anonymous – Full Cast Audio Adaptation available on the podcast. Also part of some work we’ve workshopped elsewhere, so more may be coming.
Cambyses by Thomas Preston – Earliest dating places the play around 1560/61, though it has been placed up to 1570. Exploring session available, and more work is coming on the prologues and epilogues.
Gorboduc by Thomas Norton and Thomas Sackville – or The Tragedy of Porrex and Ferrex – exploring sessions available and future plans are in the works.
Tom Tiler and His Wife – an exploring session is available.
There is also this version available on YouTube which was produced for the UCL Centre for Early Modern Exchanges – directed by Dr Emma Whipday and produced by Dana Kovarik.
Free Will by Henry Cheke – nothing on the radar at the moment.
The Bugbears by John Jeffere – nothing on the radar at the moment.
King Darius by Somebody/s – we recorded an exploring session and it threw up so many questions about what the hell this play is. It’s either a genius work of experimental theatre or it’s… a bit of a mess. Or both. Either way, watch the videos. Other elements recorded and on their way soon.
And part two of our exploration of King Darius…
Damon and Pithias by Richard Edwards – nothing immediately planned.
The Cruel Debtor by one of the Wager’s (Fragment) – Exploring session recorded, with future work to come.
Supposes by George Gascoigne – we haven’t done anything yet, but it has had an outing elsewhere. The Young Actors Company produced this version in 2017.
Apius and Virginia by R. B. An exploring session is available on YouTube.
Jocasta (trans) Gascoigne, Kinwelmershe
Gismond of Salerne by Robert Wilmot
Horestes by John Pickering
The Trial of Treasure by W. Wager – Exploring session available on YouTube.
The Contention of Liberality and Prodigality by Anonymous
The Marriage of Wit and Science – there’s a lot of marrying of wit, science and other such devices. We’ll probably look at them all in one go – frankly, it’s giving us a headache just looking at the titles.
Like Will to Like by Ulpian Fulwell – or, Like Will to Like, quoth the Devil to the Collier. Exploring session available in two parts. We really dug into this less than well known text.
The Most Virtuous and Godly Susanna by Thomas Garter
Misogonus by some person probably
Clyomon and Clamydes by some guy you know.
Juli and Julian by someone certainly.
Processus Satanae (Fragment) – This could go much earlier, it’s really difficult to place. We’ve produced a play around version of the surviving text, as Satan sues God for raiding Hell for Adam and Eve.
New Custom – Exploring Session available on YouTube. A full on debate drama, be prepared for some serious talk.
The Conflict of Custom
Glass of Government, Gascoigne
The Chester Mystery Cycle – “What?” we hear you cry – we’re well into the early modern by now, what’s this doing here? Well, this is the last gasp for Biblical drama, the tradition is pretty much dead from here on in – but it’s important to remind you that until this point these plays are always there in the background. A little less often as time passes, but still there. Until about now. Now they shift towards memory.
And what’s next? Well, there have been lots of experiments adapting buildings for regular performances. Some have been established for a fair old time. But they’re a bit small, a bit cramped. Next up, some people start getting more organised, and do a bit of speculation. The big playhouses are a coming…